
It’s always an exciting time when work for an anthology or other collaboration begins to arrive. As an editor, you are never entirely sure of the content or the quantity and, in the first instance, it is the quantity rather than quality that counts because a lower word count inhibits what can be done. In addition, a community project, such as this, is about giving a voice to diverse persons and that, of course, means different levels of writing ability — all of which are wanted and valid.
Part of my role, as editor, is to help shape the work submitted into both a cohesive whole and each piece within that into something publishable. Retaining individual voices is essential, however, so a balance must be struck: the work will have varying levels of vocabulary, reflecting each person’s life experience, background and education, and it is imperative not to damage that, or to undermine a participant’s confidence. It is, particularly, those who feel they’re not good enough to give an account whose stories remain hidden; I am here to tell them their stories are necessary, and needed, and that they are more than good enough to write them — with authenticity and by commanding their own power.
We know, of course, that more simplistic writing can be the most effective in communicating a message, with authors such as Hemingway and Alice Monroe extolling the virtues of plain language. Other authors prefer a more languid and lyrical approach where descriptive passages wrap us, the reader, in the scene. Any and all of this is welcome.
Of the work received for the project, thus far, I can confidently say, beyond a few tweaks aligning it to a preferred house style, there is little adjustment to be made. So, those authors must be congratulated on their accomplishments, and we look forward to the rest of the work coming in. As it does, I’ll be updating Laurel on where we are regarding the wordcount, and sending personal responses to the work, with occasional encouragement to expand upon something specifically interesting that, as yet, remains tantalising.
And, what a privilege it is to read these essential stories of female activism and agency. History shows us there are many stones still to be overturned. Herstories from Portsmouth is uncovering the local contemporary ones by the direct action of personal written accounts.
Our contributors are the makers, the witnesses and conveyors of herstories and we are shouting it proud. Perhaps our work might encourage others to share their own accounts. It might be vital that you do!
Signing off for now,
Amanda G
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